By LoffMusic | August 7, 2025
After months of anticipation, Wolf Alice is ready to take the definitive leap with The Clearing, their fourth studio album that will be released on August 22nd. The North London band -one of the most chameleonic and respected of the British alternative scene- has been revealing little by little the pieces of this new sonorous universe. The last of them is entitled ‘White Horses’, and it has all the aroma of a declaration of intentions.
Psychedelia in motion: this is what White Horses sounds like
After the previous previews -the brilliant Bloom Baby Bloom and the contemplative The Sofa-, White Horses opens a new groove in the land of The Clearing. The song arrives drenched in psychedelic dyes, but not from excess, but from introspection. With a hypnotic acoustic base that advances as if it were an analog synthesizer, the song combines ethereal harmonies with a krautrock drumming pulse. A constant rhythm, almost ritualistic, that drags the listener along a deep but luminous emotional path.
Most interesting is the vocal cast: Joel Amey, the band’s drummer, takes the lead vocals in tandem with Ellie Rowsell, in one of the freshest and most surprising dynamics they have shown so far.
“I was on a great adventure with my best friends. I never felt the need to call any one place home,” Amey explains. “‘White Horses’ is kind of an emotional map of what it means to be in a band, to choose your family, to live outside the norm.”
That free spirit, almost nomadic, permeates the entire single. Not only on a lyrical level, but in its way of avoiding comfortable formulas, betting on something that feels very organic.
An album to breathe
In recent statements to NME, Wolf Alice has described The Clearing as “a moment of peace”. A mental, rather than physical, place that one arrives at after traveling a certain path.
Joff Oddie, guitarist, explained during his visit to Glastonbury 2025 that this album is based on the desire to write more direct, more refined songs:
“It’s very easy to make a five-minute jam, but writing a well-structured, emotionally accurate song is the real challenge. That’s what we set out to do with this record.”
And that work shows. The more melodic approach does not mean pop concessions, but a clearer search for the compositional essence: melodies that support real stories, unhurriedly digested emotions.
Live: from Glasto to stardom
Their performance at Glastonbury 2025 was, according to the critics, one of the best moments of the festival. An indisputable five stars that made one thing clear: Wolf Alice are no longer a promise, they are a consolidated present.
“The energy they poured into the set was that of a band that should be headlining the Pyramid Stage next time,” wrote NME.
The closing of the show with ‘Don’t Delete The Kisses ‘ – a modern anthem of millennial love – was a perfect farewell and a symbolic welcome to the new era inaugurated by The Clearing.
Tour and immediate future
In parallel to the release, the band will kick off a UK and Ireland headline tour, with tickets already available and several dates in large venues sold out in less than 48 hours. The chemistry between Ellie, Joel, Joff and Theo seems sharper than ever, and expectations are where they should be: very high.
LoffDice:
Wolf Alice is on their fourth album with a creative maturity that few bands of their generation can boast. The Clearing doesn’t sound like a comeback, it sounds like a statement. And if White Horses is an indicator of things to come, this is one of the key albums of 2025.
August 22 is the date. The forest clears. And in the background, four white horsemen are riding hard.
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