Grammys 2026, a night of coronations (and political reading of the moment)

The 68th GRAMMY Awards were held on February 1, 2026 at the Crypto.com Arena in Los Angeles, hosted by Trevor Noah for the sixth (and final) time, and with a dashboard as eloquent as it was contradictory: the gala was meant to be a postcard of “industry united,” but ended up functioning as a cultural thermometer.

The big picture of the night was drawn by two names – and two ways of understanding contemporary stardom: Bad Bunny, who made the “Latin album” the central language of global pop by winning Album of the Year, and Kendrick Lamar, who dominated the academy’s conversation with a sweeping crop of awards, including Record of the Year alongside SZA.

In parallel, the ceremony confirmed a trend: the GRAMMYs are being rewritten as a map of scenes (Latin, African, U.S. regional, alternative, etc.) rather than as a single Anglo “hub”. And that was noticeable both in the cast (from rock to global music) and in the design: this edition came with adjustments to categories and rules (including new distinctions such as Best Traditional Country Album and Best Album Cover).


The big headlines (the “Big Four”)

  • Album of the Year: I MUST SHOOT MORE PHOTOS – Bad Bunny
  • Record of the Year: “luther” – Kendrick Lamar with SZA
  • Song of the Year: “WILDFLOWER” – Billie Eilish / FINNEAS (composers)
  • Best New Artist: Olivia Dean

List of winners (main categories and by highlighted fields)

YOU HAVE THE COMPLETE LIST HERE

Pop

  • Best Pop Solo Performance: “Messy” – Lola Young
  • Best Pop Vocal Album: MAYHEM – Lady Gaga
  • Best Pop Duo/Group Performance: “Defying Gravity” – Cynthia Erivo & Ariana Grande

Rap / R&B

  • Best Rap Album: GNX – Kendrick Lamar
  • Best Melodic Rap Performance: “luther” – Kendrick Lamar featuring SZA
  • Best Rap Performance: “Chains & Whips” – Clipse (with Kendrick Lamar & Pharrell Williams)
  • Best R&B Performance: “Folded” – Kehlani
  • Best R&B Album: MUTT – Leon Thomas

Latin / global

  • Best Música Urbana Album: DeBÍ TiRAR MáS FOToS – Bad Bunny
  • Best Global Music Performance: “EoO” – Bad Bunny
  • Best Mexican Music Album (Including Tejano): Palabra De To’s – Seca – Carín León
  • Best Latin Pop Album: Natalia Lafourcade (winner; title as officially listed)
  • Best African Music Performance: Tyla
  • Best Reggae Album: Keznamdi

Country

  • Best Contemporary Country Album: Beautifully Broken – Jelly Roll

Rock / Alternative

  • Best Alternative Music Album: Songs Of A Lost World – The Cure
  • Best Alternative Music Performance: “Alone” – The Cure
  • Best Rock Performance: “Changes (Live From Villa Park) Back To The Beginning” – YUNGBLUD (feat. guests)
  • Best Rock Album: Turnstile

Video, film and formats

  • Best Music Video: “Anxiety” – Doechii
  • Best Music Film: Music By John Williams – John Williams
  • Best Audio Book, Narration, and Storytelling Recording: Meditations: The Reflections Of His Holiness The Dalai Lama – Dalai Lama

Production / composition (industry)

  • Songwriter of the Year (Non-Classical): Amy Allen
  • Producer of the Year (Non-Classical): Cirkut
  • Best Immersive Audio Album: Immersed – Justin Gray
  • Best Engineered Album (Non-Classical): That Wasn’t A Dream – Pino Palladino & Blake Mills

Classical (selection)

  • Best Contemporary Classical Composition: “Ortiz: Dzonot” – Gabriela Ortiz (composer)
  • Best Classical Compendium: Ortiz: Yanga
  • Best Choral Performance: Ortiz: Yanga
  • Best Chamber Music/Small Ensemble Performance: Dennehy: Land Of Winter
  • Best Opera Recording: Heggie: Intelligence
  • Best Orchestral Performance: Messiaen: Turangalîla-Symphonie
  • Best Classical Instrumental Solo: Shostakovich: The Cello Concertos – Yo-Yo Ma
  • Producer of the Year (Classical): Elaine Martone
  • Best Engineered Album (Classical): Cerrone: Don’t Look Down

Why this gala mattered (beyond the awards)

  1. Bad Bunny’s win for Album of the Year works as a symptom: the academy, ever slow, is accepting that mainstream is no longer a single language.
  2. Kendrick Lamar consolidated something more difficult than winning: setting the agenda (categories, conversation, prestige).
  3. The gala also made it clear that, with 95 awards (most outside of prime time), today’s GRAMMYs are an ecosystem: if you only watch the televised ceremony, you miss the movie.