The soundtrack of “La habitación de al lado”, by Alberto Iglesias, is the only thing that saves Almodóvar’s latest film.

Pedro Almodóvar’s recent film, “The Next Room”, started from a promising premise: a highly topical issue such as euthanasia. However, the final result falls short of the mark, leaving the viewer with a feeling of disappointment. The script, instead of delving into the emotional and ethical complexity of the subject, strays into a terrain that […]