{"id":23676,"date":"2026-01-29T17:22:55","date_gmt":"2026-01-29T16:22:55","guid":{"rendered":"https:\/\/www.loffmusic.com\/bruce-springsteen-releases-protest-song-against-ice-and-denounces-state-terror-in-minneapolis\/"},"modified":"2026-01-29T17:23:22","modified_gmt":"2026-01-29T16:23:22","slug":"bruce-springsteen-releases-protest-song-against-ice-and-denounces-state-terror-in-minneapolis","status":"publish","type":"post","link":"https:\/\/www.loffmusic.com\/en\/bruce-springsteen-releases-protest-song-against-ice-and-denounces-state-terror-in-minneapolis\/","title":{"rendered":"Bruce Springsteen releases protest song against ICE and denounces “state terror” in Minneapolis"},"content":{"rendered":"\n

Bruce Springsteen is once again using music as a political weapon.<\/strong> The American musician has published by surprise “Streets of Minneapolis”,<\/em> a song written, recorded and released in just a few days as a direct response to what he defines as “state terror”<\/strong> exercised by ICE in Minneapolis. An urgent, frontal and profoundly faithful gesture to the combative DNA of his work. <\/p>\n\n

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Last Wednesday, Bruce Springsteen<\/strong> shared “Streets of Minneapolis,”<\/em> a new protest song centered on recent ICE<\/strong> (Immigration and Customs Enforcement) actions in the city of Minneapolis and the deaths of Alex Pretti<\/strong> and Renee Good.<\/strong><\/p>\n\n

“I wrote this song on Saturday, recorded it yesterday and today I deliver it to you<\/strong>,” Springsteen explained in a statement. “It is dedicated to the people of Minneapolis, to our innocent immigrant neighbors and to the memory of Alex Pretti and Ren\u00e9e Good. Stay free.” <\/p>\n\n

An immediate response, without intermediaries<\/h3>\n\n

Far from any conventional release strategy, “Streets of Minneapolis”<\/em> is born out of moral urgency<\/strong>. In the lyrics, Springsteen sings about what he calls “King Trump’s private army from DHS,”<\/em> a direct reference to Donald Trump’<\/strong> s administration and the immigration policy that has put ICE back at the center of the American public debate. <\/p>\n\n

The chorus leaves no room for ambiguity:<\/p>\n\n

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“Here in our home they killed and roamed \/In the winter of ’26, we’ll remember the names of those who died \/On the streets of Minneapolis.”<\/em><\/p>\n<\/blockquote>\n\n

A raw story that places the facts in a historical, almost documentary framework, and that connects with the tradition of the most political Springsteen, direct heir of Nebraska<\/em>, The Rising<\/em> or American Skin (41 Shots).<\/em><\/p>\n\n

Springsteen and Trump, a conflict sustained over time.<\/h3>\n\n

The confrontation between Springsteen and Trump is not new. The musician has been publicly criticizing the former president for years, both on stage and in interviews. Last year, after one of those statements, Trump referred to him as “a rock raisin”.<\/em> Springsteen’s response was clear and blunt: <\/p>\n\n

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“Trump is the living embodiment of what the 25th Amendment and impeachment exist for.”<\/p>\n<\/blockquote>\n\n

In a September interview, the artist went so far as to claim that, if Congress had any courage, Trump would be “in the dustbin of history.”<\/em><\/p>\n\n

A wave of support from culture<\/h3>\n\n

Springsteen is not alone. In recent days, numerous entertainment figures have condemned ICE’s actions in Minneapolis, including Billie Eilish<\/strong>, Olivia Rodrigo<\/strong>, Stephen Colbert<\/strong> and Jimmy Kimmel<\/strong>. The song adds to a climate of growing cultural opposition to immigration policies and the use of state force. <\/p>\n\n

More than an isolated single, “Streets of Minneapolis”<\/em> functions as a political act in real time<\/strong>: a song born of the present, without filters, without commercial calculation and with an unequivocal message. Springsteen does not seek consensus, but memory. <\/p>\n\n

And, as he himself reminds us, let the names not be forgotten.<\/p>\n\n

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