{"id":21873,"date":"2025-10-20T19:04:45","date_gmt":"2025-10-20T17:04:45","guid":{"rendered":"https:\/\/www.loffmusic.com\/jeremy-allen-white-sings-bruce-springsteen-the-bear-actor-gets-under-the-skin-and-voice-of-the-boss\/"},"modified":"2025-10-20T19:10:48","modified_gmt":"2025-10-20T17:10:48","slug":"jeremy-allen-white-sings-bruce-springsteen-the-bear-actor-gets-under-the-skin-and-voice-of-the-boss","status":"publish","type":"post","link":"https:\/\/www.loffmusic.com\/en\/jeremy-allen-white-sings-bruce-springsteen-the-bear-actor-gets-under-the-skin-and-voice-of-the-boss\/","title":{"rendered":"Jeremy Allen White sings Bruce Springsteen, The Bear actor gets under the skin (and voice) of the Boss"},"content":{"rendered":"\n
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The universe agreed that Jeremy Allen White<\/strong>, the guy who made us suffer and salivate in The Bear<\/em>, ends up transformed into Bruce Springsteen<\/strong>.And not only on the big screen, but also in an album that promises to become a fetish<\/strong> for fans of the Boss and musical adaptations with soul.<\/p>\n\n

The project is called Springsteen: Deliver Me From Nowhere<\/em> and arrives December 5, 2025<\/strong> on Columbia Records<\/strong>.The soundtrack – produced by folk-rock wizard Dave Cobb –<\/strong>accompanies the film of the same name, in which White plays a flesh-and-blood Springsteen, in the midst of creating the legendary Nebraska<\/em> (1982).<\/p>\n\n

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From Carmy to Boss: a journey without a net<\/h2>\n\n

Playing Springsteen is no easy task.But White took to it like he did another tour of duty on The Bear<\/em>: with precision, sweat and obsession.<\/p>\n\n

According to what he told Los40<\/em>, he rehearsed guitar four to six times a week<\/strong>, using a ’50s Gibson J-200 similar to Bruce’s own.And it shows. His raspy and restrained voice, that tone that goes between doubt and faith, works wonderfully in songs like Nebraska<\/em> or Highway Patrolman<\/em>. <\/p>\n\n

The film – directed by Scott Cooper –<\/strong>does not seek the myth, but the man behind it: the Bruce who records at home, alone, with a Tascam recorder and a broken heart inside.<\/strong><\/p>\n\n

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The soundtrack: A love letter to American rock<\/h2>\n\n

The album moves between respect and reinterpretation.It is not a karaoke of classics: it is an attempt to get inside Springsteen’s head when he decided to do Nebraska<\/em> bareback, without band or artifice.<\/p>\n\n

\ud83c\udfa7 Featured Tracklist:<\/h3>\n\n
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  1. Born in the U.S.A. (Power Station)<\/strong> – Jeremy Allen White<\/li>\n\n\n\n
  2. Nebraska<\/strong> – Jeremy Allen White<\/li>\n\n\n\n
  3. Atlantic City<\/strong> – Jeremy Allen White<\/li>\n\n\n\n
  4. Highway Patrolman<\/strong> – Jeremy Allen White<\/li>\n\n\n\n
  5. I’m on Fire<\/strong> – Jeremy Allen White<\/li>\n\n\n\n
  6. Lucille<\/strong> – Jeremy Allen White + Jake Kiszka (Greta Van Fleet)<\/li>\n\n\n\n
  7. Boom Boom<\/strong> – Jeremy Allen White + Jay Buchanan (Rival Sons)<\/li>\n\n\n\n
  8. I Put a Spell on You<\/strong> – Jay Buchanan \/ Jake Kiszka \/ Aksel Coe \/ Bobby Emmett<\/li>\n<\/ol>\n\n

    (production: Dave Cobb)<\/em><\/p>\n\n

    What’s most interesting is how White dares to muck up the legacy a bit<\/strong>, adding crunching guitars, audible breaths, heavy silences.His Atlantic City<\/em> sounds like the ghost of the Boss has possessed him in the studio.<\/p>\n\n

    And that closing with I Put a Spell on You<\/em> is pure gold: blues, garage and slow-burning American soul.<\/p>\n\n

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    The era of music biopics… with real soundtracks<\/h2>\n\n

    After A Complete Unknown<\/em>, where Timoth\u00e9e Chalamet reinterpreted Dylan, Columbia Records repeats the move.What seemed like an experiment is becoming a new way to keep classics alive<\/strong>: actors getting under someone else’s skin, but with a musical delivery that transcends the role.<\/p>\n\n

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    “Jeremy doesn’t imitate. He translates the essence of Springsteen for a new generation,” said Dave Cobb<\/strong> in an interview for Billboard<\/em>.<\/p>\n<\/blockquote>\n\n

    And he’s right: Deliver Me From Nowhere<\/em> doesn’t sound like a cold homage, it sounds like a love letter with guitar feedback.<\/p>\n\n

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    Why should you listen to it?<\/h2>\n\n
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    • Because he is the best actor-musician of the year<\/strong>: no posing, no playback.<\/li>\n\n\n\n
    • Because Springsteen approves of the result<\/strong> (yes, he heard it and gave his blessing).<\/li>\n\n\n\n
    • Because Dave Cobb never fails<\/strong>: his every production breathes authenticity and road dust.<\/li>\n\n\n\n
    • Because the topics chosen are neither the easiest nor the most obvious.<\/li>\n<\/ul>\n\n
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      Between method and emotion<\/h2>\n\n

      Jeremy Allen White doesn’t want to be Springsteen. He wants to get it.And in doing so, he delivers an album that unintentionally recalls what made American rock great: telling stories, living them and burning in them<\/strong>. <\/p>\n\n

      Nebraska<\/em> was a dark mirror of its time.Deliver Me From Nowhere<\/em> is the reflection of another artist looking into the same abyss.<\/p>\n\n

      And the best part: it sounds fucking good.<\/p>\n\n

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