From Cadiz comes NEON VAMPIRE<\/strong>, a band that has decided to bite the night with class, mixing melodic sophistication with the electric pulse of a timeless pop. Heirs of their previous project Champagne<\/em> -with which they released three albums and performed at Ebrovisi\u00f3n, Lemon Pop or No Sin M\u00fasica-, the group returns renewed, sharper and with their own identity. <\/p>\n\n The history of NEON VAMPIRE was born as a natural evolution of Champagne<\/em>, a project that took them all over Spain and allowed them to share the stage with names like Teenage Fanclub<\/strong>, Cooper<\/strong> or Los Hermanos Dalton<\/strong>.<\/p>\n\n With the new name also comes a new sound skin: a project that, more than a name change, is a metamorphosis. From this creative maturity comes a style where Wilsonian-inspired vocal harmonies (Brian Wilson, of course), E.L.O.<\/strong> soul synthesizers, atmospheric guitars and emotional bases that breathe organically. <\/p>\n\n After their eponymous debut, NEON VAMPIRE present Piedras por diamantes<\/em>, an album of ten songs<\/strong> that consolidate their universe. Produced by the band itself at Ne\u00f3n Estudios<\/strong> and mixed and mastered by Javi Rond\u00e1n<\/strong> (except for the last two tracks, by J. M. Rosillo<\/strong>), the album displays a wide range of sounds where the melody is the meeting point.<\/strong> <\/p>\n\n In each track there is a search for balance between emotion and texture, between acoustic warmth and digital precision. It is a work that smacks of handcrafted perfection: elegant pop with southern soul. <\/p>\n\n
\n\nThe origin: from Champagne to Neon Vampire<\/h2>\n\n
\n\nStones for diamonds<\/em>: melodies that illuminate<\/h2>\n\n